The selections which appear on this site with the label
“found poetry”, are so chosen by reason of a certain pithy verbal felicity,
which makes the phrase (or sentence, or distich) stand forth from its prose
context; it may or may not reflect
any excellence specifically visual.
Aesthetically
related, yet distinct, are “tableaux”, in which some striking, static, visualization sends a sight, or a passage describing
it, suddenly forth from its
otherwise prosaic context.
[Morphological footnote, for lexicophiles: The English noun tableau is borrowed from French, and retains the
Gallic spelling, its plural in -x,
and the oxytone pronunciation. In
French, tableau is formally a diminutive of table, though its current semantics does
not reflect that origin, and indeed tableau
itself admits a further, double diminutive: tabl-eau-tin.]
But what lies specifically behind the selections that shall
appear here so labeled, is the use of tableau
as a one-word exclamation -- the
rough equivalent of framing the scene with your fingers, displayed as
cater-corner right-triangles.
This use is perhaps commoner in French than in English; in any case, Harrap’s French-to-English
dictionary explicitly recognizes
the idiom:
Hier
on l’a surprise assise sur les
genoux du chauffeur; tableau!
Yesterday she was caught sitting on
the chauffeur’s knee; tableau!
As a plain noun, rather than a holophrastic exclamation,
this particular sense of a visually frozen, striking moment, is also denoted tableau-vivant (French pl. tableaux-vivants), literally a ‘living picture’.
An example, with picture-frame supplied:
She’d disappeared into the
building, and a few seconds later
yellow light awakened the second floor, spilling through gaps between
the shutters. Her silhouette, disconcertingly
large and bulky in her abaya, moved from one side to another, adjusting the
shutters, then disappearing.
-- I.S.Berry, The Peacock and
the Sparrow (2023)
And, again graphically framed (describing an escape, in
semi-darkness, through serpentine and unfamiliar subterranean passageways, from
the secret police):
He teetered at the top of a
landing, reeling a bit as he peered down into the dimness of a steep wooden
stairway, which then went black as
the door slammed shut behind them.
-- Dan Fesperman, Pariah (2025)
Another from a thriller -- an ominous sedan looms into view:
She saw the Bentley and hesitated,
watering-can poised in midair,
appearing every bit in the
late morning light as if Renoir
had captured her by surprise.
-- Elizabeth George, A Great
Deliverance (1988)
Thus, in this case, a overt comparison to a painting.
For further examples of this
toothsome micro-genre, try these:
https://worldofdrjustice.blogspot.com/search/label/tableau