I learned of Nelson Algren via two quite different routes: reading his gritty novel The Man with the Golden Arm; and through Simone de Beauvoir’s roman à clef, Les Mandarins, where she gives a textured portrayal (lightly fictionalized) of their vortex-laden affaire.
Algren’s overall arc of life had its ups and downs -- increasingly, downs -- and in time his work came to be little read. Jonathan Dee published a perceptive and wide-ranging retrospective of the man in the 15 April 2019 New Yorker (“Street Cred”), noting a certain localized resurgence of interest in this sinewy writer, and reviewing a fine new biography by Colin Asher. The article culminates in this summing up:
Instead of an audience of millions, then, a steady file of bright, devoted, flame-tending acolytes. There are sadder afterlives.
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