Showing posts with label Buffyverse. Show all posts
Showing posts with label Buffyverse. Show all posts

Sunday, February 16, 2020

Dispatches from the Buffyverse


(1) Precedent for the Hellmouth:

On an island in the west of Ireland,  an entrance to Purgatory was revealed to St Patrick, that he might overcome the obstinacy of those whom he was trying to convert.
-- The Oxford Companion to English Literature

More re antecedents for the Hellmouth:

http://worldofdrjustice.blogspot.com/2016/02/the-proto-buffy.html


(2) The vision of “Once More with Feeling” (“They Got the Mustard Out”):

If reapers sing while reaping, why should not auditors sing while auditing, and bankers while banking?
-- G.K. Chesterton, Tremendous Trifles (1909)

Friday, February 26, 2016

The Proto-Buffy


WDJ’s Department of American Incunabula  reports:

Hawthorne’s American notebooks from the mid-1840s  contain many brief notes for possible future stories, most of which he never got around to writing.  One such item he handed over to Longfellow, who turned it into the epic poem “Evangeline”.  Another fragment had to wait longer for its eventual embodiment:

To contrive a story of a man building a house, and locating it over the pit of Acheron.  The breath of hell shall breathe up from the furnace that warms it, and over which Satan himself shall preside.  Devils and damned souls  shall continually be rising through the registers.  Possibly an angel may now and then peep through the ventilators.



And thus it came to pass, that in our own day and age, a prophet named Josh Whedon did chance upon that manuscript;  and thus was Sunnydale, and Buffy, born.


Höllenschlund



An hideous hole all vast, withouten shape,
Of endless depth, o'erwhelm'd with ragged stone,
With ugly mouth and grisly jaws doth gape,
And to our sight confounds itself in one.
Here enter'd we, and yeding forth, anon
An horrible loathly lake we might discern,
As black as pitch, that clepèd is Averne.
-- Th. Sackville, “Induction”

Sunday, March 22, 2015

If you can’t stand the heat, get out of the kitchen


[Trigger Warning:  The following sentence contains a word in German.  Those of you for whom German means (and can only mean) ‘Nazi’,  and thus might be disempowering to your sensibilities, are advised to skip this material.]

It is characteristic of the Zeitgeist, that the self-coddlers and shrinking violets  have (paradoxically) become extraordinarily aggressive in asserting their veto-power over public speech:  which now, given smartphones and YouTube, in practice means all speech whatever.   And that the sort of spineless wonders who typically become administrators,  cater to their strident whims.

"Don't ... use ... that ... word !"


From this morning’s New York Times, and account by Judith Shulevitz:


For our own essay on the subject (warning: contains verbs):




~

Just a moment ago, a curious sentence from the same newspaper  caught my eye.  Indulge me in a bit of free-association.
As you probably heard, the social-media mavens in ISIL have just put out a kill list  of 100 service members, complete with name, photos, and addresses.   All in a day’s work for the Islamic State.  But here’s the oddity:

Several women are included on the list, but their faces in the photos were blurred.

Not: “blurry”;  but deliberately blurred.   Want to know why?

If you pore through ISIS publications, you will notice that women seldom appear in them:  and if they do, any hijabless face is blurred-out.  (Oddly enough, politically-correct European publications sometimes do the same thing;  an example here.)  The reason is, the Caliphate deems barefaced display an affront against female modesty.  (For an amusing account of the contortions this leads to, read the account by Morten Storm of his efforts to find a wife for Yemeni terror-chieftain Anwar al-`Awlaqi.)  And, even though the whole point of the hit-list is to get those people killed, and blurring the photo on a Wanted poster is comically counter-productive, still, that is still a line they will not cross:  They’ll be happy to kill you, ladies, but they won’t show your face.
(Incidentally, this is yet another example of ISIL behavior that is inexplicable under the P.C. ground-rules that deny that the Islamic State is Islamic.)

Like the erinyes of America (“vengeance demons” in Buffyspeak), ISIL is offended by a great many things.  Classical antiquities offend them:  delenda sunt.   Yazidis, Houthis -- well most anyone apart from Wahhabis  offend them:  delendi.    When the professional victims on campus are offended, they march in protest or take you to court.  When ISIL is offended, they cut off your head.  Autres temps, autres moeurs;  but with some aptness, one might call the campus versions “American Wahhabis”.

[update 30 May 2015]  This from George Will:
http://www.washingtonpost.com/opinions/childishness-on-campus/2015/05/29/dba1fac0-0562-11e5-a428-c984eb077d4e_story.html

[Update 18 June 2015]  And this from a UCLA law professor:



[Update 5 August 2015]  And now, a cool, level-headed contribution to the debate, by Kelefa Sanneh, in this week’s New Yorker.
 

Thursday, August 21, 2014

“The Worst Week in Washington”


NPR just pulled off a delightful commemoration of the August 1814 burning of Washington, D.C., by the British, in the course of the War of 1812.   

http://www.npr.org/player/v2/mediaPlayer.html?action=1&t=1&islist=false&id=342184458&m=342234080&live=1

 Robert Siegel expertly hosts it as straight news, in his usual droll style.  But the cap comes when that wild-&-wacky “He plays ‘The Liberal’; he plays ‘The Conservative’” brother-act (familiar from Fridays, and a sort of genteel version of the Timothy-Leary-vs.-Gordon-Liddy show from a while back) of E.J. Dionne (in the pink trunks) vs. David Brooks (in powder-blue) are brought on to comment.   And Brooks outdoes himself.
He does it by playing it straight -- amazingly straight.   Actually a risky performance, in terms of public perception, since this time it is obviously an act, yet he sounds exactly the way he always does, down to the least nuance of inflection:  which suggests what what he does at other times may likewise be partly an act.  (That was certainly the case with Leary-vs.-Liddy.)

It is quite a subtle business, when a well-known actor plays himself.  Another fine example occurs in one episode of the “Buffy the Vampire Slayer” series, where the actress who plays Willow  must play a demon who has assumed the semblance of the real Willow.   She has to get things recognizably right for that character, yet at the same time be just a tad off, in gestures and diction, in a way you might expect from an unsouled demon who, naturally, couldn’t have her soul in it.

Friday, December 13, 2013

Freud and Lorne


Freud and what?  Freud and whom?

Apologies to my analytic colleagues mitteleuropäischer Prägung,  for this reference, which  for the generation of Freud, Kraus, and the Wiener Kreis, can only be obscure.  (Hopefully you all have Internet connections up there in the Beyond, and can look it up).  Fact is, back in high school I read a little book called Freud or Jung, and actually re-read it recently; it’s a zippy title and no mistake.   So here’s ours:  Freud and Lorne.  But with “and” not “or” (which, in the stern conception of Edward Glover, was exclusive-“or” -- “or” sensu “aut”), since they are not incompatible.  (By contrast, Glover compares Jung to the fabled Duke of York, who marched his men to the top of the hill, then marched them down again -- back into the swamps of shallow psychologizing.)

Anyhow.  The “Lorne” here, a.k.a.  “The Host”, is a denizen of the Buffyverse -- specifically the Angel Archipelago thereof.   He is an Empathy Demon by trade, and he is green.  Very, very green.  (As someone well observed, it’s not easy being green.)  He ran a karaoke bar on the series “Angel”.   He was definitely an empathic (possibly also a pathic, but set that aside).   And yet, his was not the empathy of the treacly touchy-feely sort, but rather what deserves to be accorded the title of Analytic Empathy. 

"Sing me the first thing that pops into your mind ..."


To reach the penetralia of the psyche’s secrets, Freud first tried hypnosis (under Breuer’s tutelage), then developed instead his own methods, involving free-association by the patient, and dream-interpretation.   Lorne, too, has his own patented method of seeing through the mists of mind and fate:  that of tragoidoscopy (we shall dub it), whereby the subject sings a song of his own choosing, at the microphone, before the audience;  and Lorne, concentrating and frowning, intuits the soul.
One pleasing feature of this, in the context of our present culture (don’t worry, Sigmund, Karl, et al.: you’re better off where you are) is that it serves as an underhanded rebuff to the American Idol cult of invidious gradings.   For Lorne’s judgments, like Freud’s, are -- though rigorous and unsparing -- non-judgmental in a sense;  certainly neither one would stoop to “Sucky song.” or “What a sick dream.”   A subject might be in good voice or bad, that was nothing to the purpose of visualizing the state of his soul;  the free-associating patient might come out with “murder” or “vagina” or “cannibalism”, yet these were not to be judged in isolation, but with reference to whence they came, and whither they might lead.

(I initiated a partly-parodic, partly pataphysical series of riffs on the analytic situation, here: Übertragung)

Wednesday, October 23, 2013

Curiouser and Curioser


In an earlier post, I blogged briefly about two  local events, fascinating enough to anyone who experienced them directly, but ultimately no more than Facebook fodder, soon gone from the mind, like the wind.

One of these, however, continues to develop, and to prompt reflections of a larger compass than Gee-whiz lookit this shiny coin.

We begin partway through the earlier post, then elaborate.

~

[Later update]  The story is getting weirder, so I’d better elaborate.  This, from an e-mail sent to friends:

Early this evening, S. and I walked to the library, via the dockside on Lake *****.   There were half a dozen people standing around, and a couple of policemen.  Someone pointed to what they thought looked like a human corpse floating not far from the dock.  I peered to make it out;  it looked like Hollywood’s idea of a zombie.
Now, today at work, a friend had given me a nice Halloween drawing, so the first thing that occurred to me was that it was a Halloween prank.  A couple standing beside us concurred.

Twenty minutes later, as we returned from the library, we saw: half a dozen patrol cars; two or three fire engines; a large inflatable boat labeled “marine rescue”; an ambulence or two; and various other vehicles with flashing or whirling lights.  Some firemen were trudging back from the scene, one of them holding a long gaff.  “Uhh… looks like it wasn’t a Halloween prank”, I said.  The fireman would neither confirm nor deny, saying only “The police are handling it.”
The dock was now surrounded by yellow tape.  No attempt had been made to fish the body out, though an officer in a yellow rubber wading-suit was maneuvering waist-deep next to the body.  From a new angle, and now taking the whole thing more seriously, I could see that it was indeed human, or had been;  its hands stuck up from the water, rigid as claws.

This is pretty much what it looked like, only on its back.
 
[Update 10/10/13]   I shared this incident with some friends and coworkers, current or former residents of this town, and however slight it be in the larger scheme of things, it piqued their interest.  One of them today asked whether the “Flyer”, the local giveaway rag, had reported on the story (which is indeed a big one for our sleepy hamlet).   And so I dragged today’s issue from our sopping front lawn, dried it, and perused.
My heart gave a start, confronted with a large color photograph of the dockside area of that very lake!  Only -- no mention of the body.   Instead, a story about the little three-foot-by-three-foot artificial boxed islands, planted with tall grass, which have been dubbed “floating wetlands”.  Cute, but actually a silly designation, since the point of wetlands is to absorb excess water, whereas this particular lakelet, itself brought into being only by the labors of engineers, suffers rather from chronic aqueous insufficiency.

[Update, a couple of days later]  Finally, the briefest of mentions has appeared on the Web.  The deceased was in his thirties, of no known address.  But -- get this -- the police are saying, “No signs of foul play.”
Corpse appears in broad daylight in six inches of water, looking like a mummy that has been dead ten thousand years.  No-one knows how it got there.  Hands turned into zombie claws.  “No signs of foul play.”
Right.

[Update, evening of 20 October 2013]  No -- Wait -- this is too weird.
My wife was driving home from the computer lab this evening, on **** **** Parkway, which runs by that very lake, and noticed two squad cars.  Between them, on the roadway … a large, compact pile of (possibly human intestines).  But otherwise no body.   “They looked fresh,” she said.
[Update 22 October 2013]  And again, no reflection of this in any news source that I can discern.
My wife commented:   If we just chanced upon these incidents, within a few days and within walking distance of each other, and they go unreported -- how much else might be going on that we don’t know about?

Both these bizarre incidents look less like accidents, or any sort of crime that makes straightforward sense -- more like warnings, like the horse’s head in the bed.

More generally, the situation suggests the layers of oddity beneath the surface of things.  A historian remarked, anent the “Umbrella Man”,  that as you brought up the focus on the lens of history, new and inexplicable features begin to appear:  much as, beneath the solidity of macroscopic objects, lies the tracery of molecules and atoms;  and beneath these, obeying different laws, the quarks and other elementary particles.

~

So, possibly a couple of crime-scenes, though not reported as such, and evidently destined to be forgotten with the facts forever undiscovered.  Might there be anything there, if someone were to dig?
There might;  but eventually you also might find that (as philosophers say) “your spade is turned”.    For, consider a vastly more high-profile case, which  has received intensive attention from professionals and from the commentariat, turned every whichway, examined from every angle, for several years: the murder of one Meredith Kercher, in Perugia, Italia, in 2007.
In the international panoply of crime, the incident was of scant inherent moment.  A total unknown with a lot of louche friends winds up dead, no political angle, nothing there, really.   What launched the case to international attention, and kept it there,  was that one of the accused (the only one people cared about) was a Foxy Young Female -- de rigueur for the fickle public to give a darn about anything -- cast ambiguously in the role of villain or victim (and certainly vixen):  Amanda Knox.

We touched briefly on this case in a note focused  not on the crime but on its massage in the media.   And now this week’s issue of the London Review of Books has a retrospective on the case.  The LRB’s coverage is immeasurably better than the fawning glurge from the New York Times Book Review which prompted our original rant.   (People who read, or riffle through, the NYTBRev, probably imagine that they are holding something pretty highbrow in their hands.  They are not.)  A vast range of evidence has been adduced and argued-over, from something as sophisticated as Luminol, or as absurd as a turd. (Memo to murderers:  Don’t forget to flush!)
I’ll spare you the details of the new account.  The takeaway is that, after all these years, and all the forensics and analytics, we still don’t really know who, how, or why.


Felix qui potuit   rerum cognoscere  causas …

It has well been said, that the unexamined life is not worth living.  But even examined life may  not yield to our understanding.

~

Hamster Break


This hamster is not a suspect in any of these cases.  At least, according to its lawyer

~

Probably these local anomalies will fade with as little left behind them as a day of unsettled weather.   Yet possibly, years later, after the smoke from the Zombie Apocalypse has cleared, historians will gasp:  My God.  So that hamlet was the new Sunnydale -- the location of the Hellmouth.

~

[Update 25 October 2013]  On the matter of  Can we ever really know anything about what happens -- From this coming Sunday’s NYTimes Book Review:

Kennedy, the Elusive President

With roughly 40,000 books about John F. Kennedy published to date, and hundreds planned on the 50th anniversary of his assassination next month, why is it we still know so little about the man and the president?

Saturday, September 22, 2012

Une affaire grave (updated)


Now that the distractions of the Présidentielle are out of the way, serious scholars of the Gallic scene  can return to the essentials.  Review the latest here:

Aurélie Delvaulx, 25 ans, conteste les accusations portées par une autre escort-girl qui a affirmé aux enquêteurs avoir subi de la part de DSK des actes sexuels non consentis. «Cette histoire est bidon», dit-elle.

Belgian temptress and observatrice politique  Aurélie D


Commented Angela Merkel (speaking through an interpreter):
Je commence à en avoir assez de DSK et de ses histoires. J'avoue que je m'en fiche totalement. Rideau svp !


Attempts to reach Ms. Delvaulx for comment were unsuccessful, as she is already booked for the evening.


~
Gratuit !
Lisez le conte entier
~

For an archive of our coverage of these momentous matters, click here:
http://worldofdrjustice.blogspot.com/search/label/DSK

And if (by mischance) you perused this post, not from a sober concern for the fate of the noble Gallic nation, but because of the broad -- er, the broad-er perspective,  -- well then, there's this:

      Dames, dames, dames !

Enjoy.


*
Si cela vous parle,
savourez la série noire
en argot authentique d’Amérique :


[Update 22 sept 2012]  Reprieved!

Cela me ravit, d’être ravie !



C’est le soupçon le plus infamant qui ait pesé sur Dominique Strauss-Kahn dans l’affaire du Carlton : des accusations de «viol en réunion» reposant sur le témoignage d’une escort-girl belge ayant participé à une soirée en décembre 2010 à Washington. Selon les informations du Figaro, les investigations ont abouti à une impasse et le parquet de Lille s’apprête à classer sans suite l’enquête préliminaire ouverte en mai sur ce volet du dossier.

Au cours de l’été, la jeune femme a transmis un courrier à la police judiciaire de Lille dans lequel elle explique n’avoir pas été victime de violences à Washington et avoir été parfaitement consentante à ce qu’elle décrit comme des «jeux sexuels». Sa lettre était accompagnée d’un courrier de son avocat belge. La prostituée n’avait jamais porté plainte pour ces violences présumées qu’elles avaient relatées à des policiers en Belgique. La défense de DSK avait dénoncé un « acharnement » contre son client.
Dans sa première version, Marie-Anne, la prostituée belge, âgée de 25 ans à l'époque, avait raconté que DSK avait «utilisé la force» contre elle pour tenter de la sodomiser et qu'elle s'y était opposée: «J'ai dit clairement que je ne voulais pas à plusieurs reprises, à haute voix». Une autre participante à la partie fine, Aurélie, avait été moins affirmative dans son récit: «Je voyais à sa tête que ça ne lui plaisait pas. J'ai dit à DSK d'arrêter (…) Je ne l'ai pas entendu dire non».

*
*     *     *
~ Commercial break ~
Nook lovers are book lovers!
We now return you to your regularly scheduled essay.

*     *     *

Oh.... my.... God...   ....    ..........
I just realized one of the factors  that renders her so attractive to me:  She reminds me of Eliza Dushku, of the Buffyverse, and star of "The Dollhouse" ...

Ravish me in your dreams,  Big Boy ....


http://worldofdrjustice.blogspot.com/2012/07/dollhouse.html



[Update Lent 2013]  Eheu, vae mihi!  Vanity, vanity, all is vanity!
And to dissociate you all from the overripe riot of color above,
we now offer, in the spirit of bread&water,
a strrripped-down (minimalist) vision of das Ewig-Weibliche,
for your spiritual contemplation.

[Scroll down only if over 18]

.

.

.
The Venus of Praxitiles, a chaste and ancient statue; bra and panties  painted on later, at the behest of the Church, so that no-one might harbor inappropriate thoughts

*
Pour d’autres friandises
de la confiserie 
du docteur Justice,
consultez:

*
.

Monday, July 23, 2012

The House of the Rising Sun (variorum)


O mothers -- …..  --- tell your daughters!
Not to do -- what I !-- have done !! !!!   !!!!!!!!!!
to (!) spend -- your life --   in sin   (-and-)
mis-er-y ….
at the House
of the Ri-high-….
zzing Sun …..

Just as  for  Lorne (on "Angel"),
everyone on the planet
should be required   to sing this song.
And to judge from YouTube, almost everyone has.

A sampling:

Animals (color, emphasis on the (wonderful) organ):

Animals (b&w -- organ de-emphasized, bass thereby somewhat highlighted):

Animals (visuals -- nothing; plus an ad; but acoustically crisp)
Animals (album version, with visuals of contemporary relevance):


Clarence Ashley:
The oldest extant recording, according to Wiki.
Homey;  unremarkable.   At this level, a forgettable song.
That Bob Dylan and Eric Burdon could intuit its depth,
is greatly to their credit.

Leadbelly:
(unaccountably shallow)

Libby Holman:
(horrible -- included only because it precedes the popular versions by many years.
Showing how great an advance  Eric Burdon made  upon earlier materials.)


Josh White:
(A curiously different interpretation -- bluesy rather than blues.
Crooning, chromatic, with luscious rather than urgent vocals.
All you can focus on is his deliciously creamy voice,
rather than the chilling tale that’s told.
-- He uses the “poor girl” version of the lyrics;  kudos.)

Joan Baez:
(rather shrieky;  her voice, and her temperament, are simply not suited to this)
(much better)

Dolly Parton:
(Quite worthless.   Included only because she has, on some songs, been quite wonderful.   That this song  does not belong in her repertoire, provides a sort of Direchlet-boundary-value-problem perspective  upon this song.)

Sinead O'Connor:
(uninteresting, but unpretentious, and interestingly  minimalist)

Lemonflower/Coffeescup:
(Not one of her best -- but even her least-good is notable.  This artist is way underappreciated.  Her low-key version here  is similar to O’Connor’s.)

Jimi Hendrix:
(no vocals, so uninteresting,  although  simply as guitar-work,  it’s pretty spectacular.
But what makes this song great   is not the spectacle.)


Leslie West:
(Another one where the guitar is front-and-foremost.
This one adds vocals, and he certainly gives it his best shot, but…  some reason… leaves me cold.)

Frijid Pink:
(just a cover -- but actually, not bad.
In hard-driving 4/4 rather than 6/8 time.
In fact … actually … not bad at all.   -- Who are these guys?)
(concert version -- apparently misattributed to better-known band)

one “Doug Duffey”
(piano to the forefront.  The voice is not much.)

someone called … O who cares…
(Utterly worthless, both vocally and instrumentally.
Yet an incredible number of UTube views, and drooling viewer comments)

Dylan:  unavailable -- alas.  And a true classic.
He has the courage and authenticity to sing “many a poor girl”.  The reference, after all, is to a sporting-house.


~     ~     ~

This modest post  was intended as a celebration of an old folk-classic; yet, remarkably, the covers far surpass the originals.  The more conventional assessment (among the bien-pensants) is the reverse, alluded to here:



Thus, instead of a chronology, this post is more like a love-letter to Eric Burdon, obliquely alluded to here:



He’s just so super-cute, in his early-Beatles suit.
If I were a thirteen-year-old girl,
he would make my heart go pit-a-pat.
[Update] Check out the unusually well-informed Comment below.
The writer mentions a friend of mine, whom you can read about here:
Bobby D & me