On the eve of the global climate summit (Cop21), scheduled
to open at the end of this month
in Paris (which itself now crouches beneath the stormclouds of war), The
New Yorker has published an engaging review-essay on the significance of
weather in art and literature:
From this we’ll
single out one fine line:
Dystopia is already
here. It’s just unevenly
distributed.
Several of our own essays touch on the subject:
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